Virginia Lloyd is an actress, known for Eleven Eleven (2018).
Virginia Locke is an actress, known for Bastion, Family Obligations (2019) and Manhattan South (2021).
Virginia Loring Cooke is known for Manchester by the Sea (2016).
Virginia Louise Smith is an actress, known for Jack and Jill (2011), Scandal (2012) and American Crime Story (2016). She is married to Charlie Huston.
Virginia Ma is a bilingual actress born and raised in Arcadia, California, and went on to study at USC's BFA Acting program. She has since acted in national commercials, television shows, and movies. As a second-generation immigrant, she seeks culturally rich roles that challenge and utilize not only her emotional well, but also her physicality as an actor. Her first professional role took place in Hengdian, China where she played an assassin in a martial arts series. Having produced several short films, Virginia prides herself in her onset professionalism and positivity, aiming to be a true filmmaker's actor. Virginia's credits include TV's Magnum PI, a lead in the indie film Chindia, supporting roles in the upcoming films Transparent and The Last Score for Tubi.
One of the hottest stars of the mid-1980s, Virginia Madsen has since played a variety of roles that have cemented her reputation as a fantastic actress who can adapt to any part. Virginia was born in Chicago, Illinois, and belongs to an acting family -- with her brother, Michael Madsen, also an actor, and her mother, Elaine Madsen (née Melson), an Emmy-winning writer, poet, and producer. Her paternal grandparents were Danish, and her father, Calvin Madsen, was a firefighter. Audiences first caught a glimpse of her as "Princess Irulan" in the 1984 science fiction epic Dune (1984). She followed that up with Electric Dreams (1984); however, it was in 1986 that Virginia captured the hearts of the audience with an intense portrayal of a Catholic school girl who fell in love with a boy from a prison camp in Duncan Gibbins' Fire with Fire (1986). Virginia played the role of "Lisa" and her co-star was Craig Sheffer, who played Lisa's love interest, "Joe Fisk". Kari Wuhrer also made an appearance as Virginia's best friend, "Gloria". Fire with Fire (1986) was a low-budget production, starring a bunch of fresh faces who were till then-unknown to Hollywood. However, the movie was a success and elevated its three young stars overnight. Virginia has never looked back since. Not only did she receive amazing reviews for her Academy Award and Golden Globe nominated performance in Alexander Payne's hit film, Sideways (2004), but this Independent Spirit Award-winning actress has an illustrious resume of roles alongside the most notable and respected actors in the business. Also on Virginia's slate is her production company, with partner Karly Meola, called "Title IX Productions". Their first project was the documentary I Know a Woman Like That (2009), which previewed at the Phoenix Film Festival in April 2009 and premiered at the Chicago Film Festival in October 2009. The doc was directed by Virginia's mother, Elaine Madsen, about the lives of extraordinary women ages 64-94. Next in the company's lineup is the documentary Fighting Gravity (2010), about women ski jumpers' ongoing battle for the right to compete in the 2010 Winter Olympics. Title IX will team up with "Empire 8 Productions" and Vancouver-based "Screen Siren" on the project. The duo also has several projects in development that they're shopping around for financing including screenwriters Sebastian Gutierrez's screen adaptation of Martha O'Connor's novel "The Bitch Posse" and a remake of the 1984 film Electric Dreams (1984), in which Virginia appeared.
Virginia Mayhew is an actress, known for At Home with Amy Sedaris (2017).
Virginia Clara Jones was born on November 30, 1920 in St. Louis, Missouri, the daughter of a newspaper reporter and his wife. The family had a rich heritage in the St. Louis area: her great-great-great-grandfather served in the American Revolution and later founded the city of East Saint Louis, Illinois, located right across the Mississippi River from its namesake. Virginia was interested in show business from an early age. Her aunt operated a dance studio and Virginia began taking lessons at the age of six. After graduating from high school in 1937, she became a member of the St. Louis Municipal Opera before she was signed to a contract by Samuel Goldwyn after being spotted by an MGM talent scout during a Broadway revue. David O. Selznick gave her a screen test, but decided she wouldn't fit into films. Goldwyn, however, believed that her talent as an actress was there and cast her in a small role in 1943's Jack London (1943). She later had a walk-on part in Follies Girl (1943) that same year. Believing there was more to her than her obvious ravishing beauty, producers thought it was time to give her bigger and better roles. In 1944 she was cast as Princess Margaret in The Princess and the Pirate (1944), with Bob Hope and a year later appeared as Ellen Shavley in Wonder Man (1945). Her popularity increasing with every appearance, Virginia was cast in two more films in 1946, The Kid from Brooklyn (1946), with Danny Kaye, and The Best Years of Our Lives (1946), with Dana Andrews, and received good notices as Andrews' avaricious, unfaithful wife. Her roles may have been coming in slow, but with each one her popularity with audiences rose. She finally struck paydirt in 1947 with a plum assignment in the well-received The Secret Life of Walter Mitty (1947) as Rosalind van Hoorn. That same year she married Michael O'Shea and would remain with him until his death in 1973 (the union produced a daughter, Mary Catherine, in 1953). She got some of the best reviews of her career in James Cagney's return to the gangster genre, White Heat (1949), as Verna, the scheming, cheating wife of homicidal killer Cody Jarrett (Cagney). The striking beauty had still more plum roles in the 1950s. Parts in Backfire (1950), She's Working Her Way Through College (1952) and South Sea Woman (1953) all showed she was still a force to be reckoned with. As the decade ended, Virginia's career began to slow down. She had four roles in the 1960s and four more in the following decade. Her last role was as Lucia in 1997's The Man Next Door. She died on January 17, 2005.
Talented flaxen-blonde British star combined her deep loves for acting and for wildlife throughout most her adult life. Born in London, England on June 7, 1931, her family possessed a sturdy theatrical background. Mother Anne was a jazz pianist, composer and cabaret performer while father Terry, an auctioneer, had relatives in the arts including actress Fay Compton and author Compton MacKenzie. Virginia's boarding house education was interrupted by the London Blitz. She and her mother (her parents were divorced by this time) evacuated from England to Cape Town, South Africa, a move that lasted six years. Upon her return to England, she acted in a few school plays. Her interest stuck and she auditioned and was accepted into the London School of Central Speech and Drama. Two years later she became a six-month member of Scotland's renowned Dundee Repertory. Spotted by a talent scout playing Estella in a production of "Great Expectations," Virginia was invited in 1951 to return to London to portray Dorcas in "A Penny for a Song" with a stellar cast that included Ronald Squire, Alan Webb, Marie Lohr and leading man Ronald Howard, the son of "Gone With the Wind" star Leslie Howard. This quickly led to TV and film offers. Virginia made her cinematic debut with a prominent role in The Second Mrs. Tanqueray (1952) starring Hugh Sinclair and Pamela Brown, then played Richard Attenborough's sister-in-law in Father's Doing Fine (1952). Two more films arrived the following year with The Oracle (1953) starring Robert Beatty and the Oscar-nominated WWII drama The Cruel Sea (1953) with Jack Hawkins, Donald Sinden, Stanley Baker and Denholm Elliott, the last mentioned to whom she later married in 1954. Following classical stage parts in "Richard II," "Love's Labour's Lost," "Henry IV" and "As You Like It" at the Old Vic during its 1954-1955 season and her acclaimed BAFTA-winning role as Juliet opposite Tony Britton's Romeo in a BBC-TV version of "Romeo and Juliet," Virginia returned to filming with Simba (1955) starring Dirk Bogarde and The Ship That Died of Shame (1955), another WWII drama that reunited her with Richard Attenborough. Film stardom came with her crop-haired role as WWII Japanese captive Jean Paget in A Town Like Alice (1956) opposite Peter Finch. Both actors won BAFTA film awards for their roles. As such Virginia grew in box-office status. Virginia met second husband, Bill Travers when they appeared together in the play "I Capture the Castle" in London in 1954. Both were married at the time. They met again, however, after her two-year breakup with Denholm Elliott and this time they connected and married in 1957. Virginia and Bill appeared together on film for the first time in one of her highly rare comedy films The Smallest Show on Earth (1957). They went on to do six other movies together. In the second film, Bill and Jennifer Jones starred as Robert and Elizabeth Barrett Browning in The Barretts of Wimpole Street (1957) with Virginia and John Gielgud in strong support. The couple then appeared in Passionate Summer (1958). Acclaim (and a BAFTA nomination) for Virginia came again with her movie role alongside Paul Scofield in Carve Her Name with Pride (1958) portraying Special Operations Executive agent Violette Szabo who, after her husband was killed during WWII, undertook dangerous missions as an undercover agent for British intelligence until caught and executed by the Nazis in 1944. The role had a strong impact on Virginia. In 2000 she performed the opening ceremony of the Violette Szabo Museum in Herefordshire. The actress then appeared opposite American actors Gary Cooper and Charlton Heston in the adventure yarn The Wreck of the Mary Deare (1959). Back on stage for a few years in potent roles as Sister Jeanne in "The Devils" and Lucy in "The Beggar's Opera," she and Bill were invited to appear together in the film Two Living, One Dead (1961), a Post Office robbery crime drama. The couple's next film together would alter the course of both their personal and professional destinies when they signed up to play Joy and George Adamson, noted wildlife welfare preservationists, in a landmark film version of the best-selling novel Born Free (1966). The movie was a massive, international box office smash. The shooting, with the real George Adamson serving as tech advisor, deeply affected the couple so much that for the rest of their lives/careers they dedicated themselves to wildlife causes with many of their subsequent pictures having related themes. The couple went on to form a documentary film company and served as writers/producers to create wildlife films. One of the best known of their many documentaries is The Lion at World's End (1971). A few years later Virginia and Bill filmed two animal-related movie adventures, Ring of Bright Water (1969) and An Elephant Called Slowly (1970). The former, filmed in London and the Scottish coast, was based on a best-selling book and told of the romance of an office worker/artist (Bill), his otter pal Mij, and his love interest (Virginia), the town's doctor. Virginia later helped create a museum to honor the film's author, naturalist Gavin Maxwell. The latter, which was filmed in Kenya, had the couple "adopting" three young elephants. Throughout the 1970s, Virginia continued to be seen to good advantage in a sprinkling of film, theatre and TV roles. Cinematically she joined Rod Steiger as Napoleon, Christopher Plummer as the Duke of Wellington and Orson Welles as Louis XVIII in Waterloo (1970) last as the Duchess of Richmond; was top-billed in the family adventure Swallows and Amazons (1974); appeared in the English/Canadian thriller The Disappearance (1977); and showed up in the Italian/English end-of-the-world drama Holocaust 2000 (1977). On the London musical stage Virginia succeeded Jean Simmons as Desiree Armfeldt in the Stephen Sondheim hit "A Little Night Music" and in a 1979 revival of "The King of I" opposite perennial king Yul Brynner that ran 16 months. On TV the actress gravitated towards period pieces in roles that ranged from Daisy in The Edwardians (1972); to Clemmie Churchill in The Gathering Storm (1974) (the TV version rather than the feature film of the same name) to Mrs. Darling in Peter Pan (1976) to Portia in The BBC Television Shakespeare: Julius Caesar (1979). Despite appearing in roles from the 1980s on, which included playing Gertrude alongside Roger Rees in 1984's "Hamlet," a role in the plush mini-series The Camomile Lawn (1992) and a recent support role in the film Love/Loss (2010), Virginia was more committed to her wild animals activism. Very much involved with the global influence of the Born Free Foundation and its Zoo Check project, Virginia earned an OBE for her services to wildlife conservation and animal welfare. Bill died in 1994 but their son Bill Travers Jr. has embodied their enthusiasm towards wildlife, becoming the CEO of the Born Free Foundation. Virginia is the author of several wildlife books and her autobiography "The Life in My Years" was published in 2009. One of her more recent outings was a 2011 appearance in the long-running, award-winning BBC documentary series Natural World (1983).
Virginia McMullen is an actress, known for Beyond Tomorrow (1940).